A look back at an unforgettable 2022, the Venice Biennale, the By Proxy collection, a sale on Sotheby's, and the first moves of 2023.
A career highlight, showing The Kiss at one of the most prestigious stages in art, and a long way from where the practice began.
A dropped collection blending physical space and virtual identity, nostalgic, staged, and subtly Singaporean in its details.
One of the year's milestones. A work sold through Sotheby's, curated under NFT Asia, a signal that this work belonged in those rooms.
A strong start. A drop on PlayNomm to the Korean market at 21 ETH, exhibitions at Proof of Concept and ART SG, a collaboration with Cryptocubes by HanRGB, and a place in TIME's x Deepak Chopra drop, designing a cover and building a 3D space with Artifex.
I have been pushing my limits and widening the toolkit, refining my 3D techniques toward greater realism, and turning toward dynamic, interactive pieces that ask more of both the work and the viewer.
I want to challenge the easy notions of what art can be. With AI, I am curious about generating unique textures and patterns, and about deepening the realism of my models, not for novelty, but for where it can take the work next. It is all about improving, and pushing to be the best artist I can be.